In praise of those passed…

Thomas Nozkowski Studio after his death…photo: Gabrielle Bhaskar, NYT

As one ages time does accelerate – my mother told me this years back but I didn’t believe her – I do now! So it’s hard to believe that one of my absolute faves of all time passed five years back…it seems to me only a few months back. But Thomas Nozkowski passed back on 9th May 2019. Although Thomas was only a generation older I adored his work and rather immodestly saw him as something of a fellow traveller. I am especially taken with the idea of original visual language for every picture made – its certainly my attempted MO when making those small paintings in my mammoth Heart Of Rural England series (currently becalmed in the Pleasant Country Aspect group (aka Harborough district). Although I suspect I often fail (as did Tom very very occasionally!).

David Manley Illston, Pleasant Country Aspect, Oil on board, 30 x 40 cms. 2024

I’m thinking of this whilst back in West Penwith tending to the wonderful Brisons Veor (although it will be a week or so back by the time of this post). My time here is limited, very much so, but precious. And being part of the project is very much so, not least as it facilitates others to experience its delights.

The marvel that is Brisons Veor, the last property on Cape Cornwall, with Priests Cove below it and the Atlantic beyond it!

And by a co-incidence today – 9th May is also the date of the passing of a very dear friend, one of my closest, back in 2006. Paul William Mason would have been 71 in a few weeks and he’s much missed. And to top it off today I got news of a professional colleague passing at far too young an age – Lucy Philips who was Director of Leicester Print Workshop whilst I was on the Board back in the last decade. Lucy was the brightest and best in a crowded field of great arts professionals I’ve worked with over the past fifty years.

Missing in action…

Broughton Astley, oil on canvas board, 30 x 40 cms. March 2024 from the Harborough leg (Pleasant Country Aspect) of the Heart of Rural England series

A week or two lost to a brain fog accompanied by a walking problem (dodgy left foot!) saw me go ‘missing in action’. Trying to get back on the path to glory!!

Kings Norton, oil on canvas board, 30 x 40 cms. March 2024 from the Harborough leg (Pleasant Country Aspect) of the Heart of Rural England series

Still pushing on with this series…of course I’ll need to get the walking sorted to get the project moving again…

Go figure?

Tusci (unfinished), oil on canvas, 120 x 100 cms. 2024 a new series of paintings based on observations of small enclosed gardens…

I pretty much gave up figuration after my ‘a’ level composition study and barring a couple years in the 80’s (don’t ask) never returned. Of course there’s no such thing as abstraction really but usually any referents are buried deep in my pictures. But of late there seems to be some hints creeping back in.

Frolesworth, oil on canvas board, 30 x 40 cms. March 2024 from the Harborough leg (Pleasant Country Aspect) of the Heart of Rural England series.

Movin’ On…

Great Glen (Pleasant Country Aspect), oil on canvas board, 30 x 40 cms. 2024

Another of the Harborough paintings…don’t recall where the image of the folks was culled.

Pleasant Country Aspect…

Burton Overy, oil on canvas board, 30 x 40 cms. 2024

ok then…not so pleasant! But this is Burton Overy from my most recent collection of paintings in The Heart Of Rural England series (running for well over a decade now!). This group are of the locations in the Harborough district of Leicestershire that I’ve titled ‘Pleasant Country Aspect’ – a phrase from the 1974 handbook describing the authority. It uses as source images culled from the gargoyles on the church there and the, rather abject, parish noticeboard. Both widely jazzed up by yours truly! I’ve five of this group completed with seven more on the go – and another thirty one to be visited, snapped and envisioned before I can move onto Hinckley & Bosworth, and beyond that, Blaby and Oadby & Wigston. It’s going to be a close run thing as to whether (at current rate of progress) I’ll ever get it finished!

Snap Happy!

Ashby Magna & Parva, Oil on board, 30 x 40 cms. 2023

Oh the joys of being a photographer! Here’s a first painting from the latest part of The Heart Of Rural England project. This one comes from Pleasant Country Aspect, the title chosen for the set that encompasses the places in Harborough district (search the Heart Of… for details of this madcap enterprise). My estimable chum Simon is busy hoovering up the locations for his parallel project – Gartree that will result in a book of photos. Simple you think…snap happy! But having dabbled in photography myself in the past getting the image rather than doing as I do – take a relatively haphazard set of snaps that then join my recollections and impressions to stimulate the idea for the painting is harder than one might think. Indeed he has visited the locations many times over and at differing times (including I believe some fairly ungodly ones!) to achieve the quintessential images he needs. On top of that there’s a fair degree of post-production work to be added in.

one of my snaps taken in Burton Overy with an old fella inserted from the parish church!

Still, struggling with the paintings over weeks or months in an increasingly cold and damp cellar studio, scrubbing out, repainting, and so forth is – I maintain – a harder job…discuss!