It seems I’ve missed posting anything for well over a month – I guess that’s ‘lockdown’ for you. But I’m still at it, making work and planning projects. One is coming up soon…and monopolising quite a bit of my time at present.
There’s more information about it here…but if you just want the pictures they will appear on Instagram, Twitter & Facebook each day from SATURDAY April 17th.
Meanwhile I’m still pushing on with both the Lunar Pulls pictures (though rather occasionally and with a change of focus and approach) and the latest instalment of the ‘mega-project’ that is tracking the whole of Leicestershire through series of paintings for each district. I’m currently on the third leg, the Melton District, that I’m calling Painting The Town Red. This is the painting for Kirby Bellars.
Work continues, and some things are completed. But it gets harder to find motivation during this – seemingly – everlasting lockdown. Not least as the prospects of work ever seeing the light of day seem ever more remote. However I had my first jab a couple days back so as more and more of us are inoculated we can only hope that some kind of partial resolution of our predicament is somewhere up ahead. Meanwhile I’ve polished off another Enid panel…
and I’m also delighted to be able to post the very first of the paintings that will comprise the third series of Leicestershire boroughs – Painting The Town Red – the Melton District series. This one is Welby. I doubt anyone knows the place so my take on it remains an enigma!
These panels were carried over from Very Like Jazz…from a few years back. So I’ve dusted them off and worked them up dreaming my dreams of Marx and Nash in NYC – I don’t know if either of them ever visited but no matter…
And amongst them are one or two from other reveries…
And so I’ve 50 up in the black box series…A Confusion Of Clouds. In fact 50 seems the right number to fit tidily into the chosen receptacle. And there’s only one more box so a 100 will be it – in due course…and who knows how long it will be before that happens? In any event enjoy numbers 39 through 50 here below.
I like to start the year with a bit of a plan. It’s a ‘bit of’ because I’m a fiddler at heart and can’t help hopping around the studio dealing with this and that. And, as always, there are (as it is disputed that Harold Macmillan may have or not said) “events, (my) dear boy, events”. This year of course we have the on-going saga of COVID to contend with but equally smaller things come up from time to time including the possibility of invitations to participate in shows that may (or may not!) happen.
So it is that I’m currently rethinking my plan to start a series of large canvases immediately and focus instead on the third part of The Heart Of Rural England (Painting The Town Red) [scroll back to Dec 3rd and 15th entries and more] and another previously abandoned project…I arrived at Art School ‘proper’ (my Diploma course at Falmouth) in the autumn of 1970 so 71 was my first year of being a ‘proper’ tyro artist. Reaching 70 (as I shall do this summer) brings a full fifty years of practice around. Back in 2012 I began a series of 1 foot square canvases to represent each year of painting that – at that time – I intended to be a set of 45 to culminate on my ’official’ retirement date. Moving studio kyboshed that and those to date in 2013 remained boxed up in my studio back at the Chapel till now. However with the impending date of my 70th it seems a good time to push on – as Primo Levi said “if not now, when” – so the project – now titled Fifty Year Itch – is underway again with the ambition to post an image of each in turn from April 17th through to June 6th. I thought a short commentary would be an idea for each picture so that will be posted on my blog through the same two months. Watch this space as they say.
Long time observers know I work on series of pictures. Some are relatively constrained to a few months or a year perhaps. Not so The Heart Of Rural England. Actually this title has only just been chosen as the first part of it started way back in the late 1990’s. Back then I was working on a series of canvas pieces that were mounted on board and based on imagery drawn from villages nearby my home. These were abandoned in favour of the series of canvases that became the project titled From The Earth Wealth shown at the Tarpey Gallery in 2011. During an interview for the Leicester Mercury I jokingly suggested I might go on from that project (featuring a painting by each place featured in the district of NW Leics handbook) to make a series for each of the other districts in the county. This lay fallow until around 2015 when myself and my pal Simon started on the documentation of the Charnwood Borough. In turn the canvases for each place in their handbook began towards the end of the following year.
The first – Loughborough – was completed in February of 2017 (by which time the photography for the next district – Melton – was just starting) but then progress on the paintings stalled. But though the wheels grind slow they do grind fine with the last handful of the Charnwood series (titled from a phrase in their handbook suggesting it is ‘the Playground of the Midlands’!) just drying as i write – so they should be all put to bed by year’s end. I’ve ruefully suggested before now that with the glacial progress to date there’s a good chance the project may out live its progenitor so in order to try and forestall that I’m now pushing on.
This starts with reviewing the images from part three (luckily most of which are already captured) that of Melton (with yet another title from their Handbook of ‘Painting The Town Red’) and ordering the necessary canvases. This will be followed in the new year – COVID restrictions permitting – with recommencement of the photography for part four – Harborough District – that we started on back in February of the current year but then never followed up – I cannot imagine why!
Sitting and waiting these two since I returned from Dorset. For what? just the final tweaks as it turned out. Sadly none of the Paintings Standing Up are going to Déda…and what’s the status of that showing of the exhibition Days Like These anyway…not sure as they (and we) are firmly mired in Tier 3. Ah well at least we got the shows title on the nail…