Ah revisionism…

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and rediscovery too…  I’ve been absent from this site for over a month I realise, making use of quite a bit of the good summer weather and being (unusually) at home to drag work out of the basement.  I have stored older work down in the dark recesses over the years despite knowing full well that the fetid conditions rapidly rot canvasses away.   Those that survive often require some restoration but its those that never got properly resolved, or where I lost interest that are most interesting.  Some remain intractable but I have found myself increasingly interested in resolving and completing others.

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I’m looking at these two from the Conversation Pieces (part two) series.  And have decided that part of their resolution will be to join forces as a diptych where two conversations get crossed wires.  Part of the process for me is re-imagining it as I did when first working on them…around six or seven years back.  Mostly I don’t work with tapes preferring to paint to the pencil line but just occasionally with these I chose to tape up a block to get that crisp, slightly raised line.

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Another interesting thing for me is rediscovering old pictures I’ve quite forgotten about.  This one comes from a series made in the mid 1990’s and was the only one of a group of a dozen or so in landscape.  It never quite fit with the rest, stylistically as well as format, but only now do I realise it was a precursor of the large series of paintings that began in the late nineties through to 2004/5 and formed the backbone of a solo show at Derby Museum ‘Nothing But Mirrors & Tides’

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Go for it…

WG47It’s been quite a while since my last post…more pressing matters plus a short holiday has meant scant opportunity to do so.  But I’m also increasingly aware that finding anything worthwhile (to me at least) to say gets harder over time especially as, several years back now, I decided that only painting matters would be discussed here (and I’ve managed to mostly stick to that).  So here’s the thing…does time away in other environments affect the outturn of works initially influenced by other impulses and locations?  Here’s a Wonky Geo picture (No. 47, if you’re keeping count) that, as regular readers will know, comes from an enormous stack of them that have been on the go, on & off, for several years now.  But I just decided it complete, with additions of the past few days since a week in Italy…?

Proper Lovely…

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As anyone reading this will know we are living for the month in a small bedsit on the harbour in Scalloway on the Shetlands and its proper lovely as we Devon folk say.  In fact when the sun shines (and we’ve more good days than not) it reminds one of how the West Country seemed to be when I was a child.  Nowadays the crowds down in Devon & Cornwall make it harder to love but back then before motorways etc.  Anyway enough of my misremembering as, apart from sitting staring out the window or visiting unspoilt and empty beaches, we are here to work.

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On Nesting Fault, Acrylic & watercolour on paper, 120 x 30 cm.

But the rub is that you start to think about what you do and how you go about it.  Yes I know one should be doing that all the time anyway…but holidays just exacerbate this…and added to which there are fewer materials and supports to hand…and ideas get stuck in your head in ways that just don’t happen at home.  Its all rather confusing!  So here I am rethinking, tinkering really, with both the Wonky Geometry and the notion I had arrived with (outlined a few weeks back) and fetching up with something that’s quite a departure.  Should I be worried or concerned?

60 degrees north

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So shortly we are off to the Shetlands, to Scalloway and to The Booth.  For a month we will be living and working there and it is always tricky on such an expedition deciding what to take by way of materials.  You don’t want to be too prescriptive on the one hand but properly equipped on the other.  Especially so as material supplies may be tricky there (though of course it might be much easier than I’m imagining).  Nonetheless I have drafted a sort of plan!  Some time back I was rather taken by a small clutch of Knitting Sheaths that reside in the museum there – I’m hoping to see them during our stay.

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And I’ve riffed on them over the past few months in photoshop…so I have at least the beginning of imagery that hopefully relates to my Wonky Geometry.  Then a trip to the Ashmolean a while back with my pal Simon to see the wonderful Raphael drawing show had us wandering through the room of Japanese scrolls – kakejuki…brilliant!  Just the thing for a trip away…paper based and roll em’ up to transport back easily.

Content…

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What constitutes content in abstraction will, I suspect, always evade us.  Damn good job too.  It is probably one of the handful of things that can sustain painting as an activity in the contemporary world.  Anyway this is a detail from a picture I’m working on now – and in my head it has something of a festive feel to it.  So I’m using it as my way to wish all a very contented yuletide.  I always struggled with Christmas as a youngster…I felt trapped by the shut down of ‘real life’…but now it seems to be a welcome (and all too brief) moment of calm in what seems now to be an increasingly sour and vulgar world.  I hope it gives all of you a sense of calm and contentment too…and comes with my very best wishes.

Connectivity…

img_0039between different projects is often difficult to divine. There are times when the focus is clearer and times when its not. Its one of those not times. There’s a suite of small wonky geometries on the go. They are still at the early stage of ‘roughing out’ – the broad structure is in place (further variations on the 5/6/7 sided figure interactions) but the colour combinations and variations are, as yet, very unclear. They are amongst a group of panels to be offered for selection for a show entitled Colour Bliss so there’s a challenge!

fullsizerenderAlongside these I’m playing with a collection of over 100 small paperworks – that are even more wacky variants of the same repertoire of basic regular sided shapes expanded to include 3/4 sided appearances and a host of other marks and forms. These are pretty much just for fun and to keep myself busy when the other project gets too tricky.

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to paraphrase a very ‘non-acceptable’ source nowadays these things are a variant on ‘can you see what it is yet’ as in ‘can you see where it is yet’…

There’s actually another even more mindless long term project that uses up quantities of mixed colour so as not to waste it. And when I say longterm I really mean it. I guess my casual interest in colouring in maps (!) started in my early teens. On one of my first trips abroad (a scout jamboree in the Netherlands) a pal asked me why I was clutching a sheaf of maps (picked up in various locations) on the return journey. I couldn’t answer him satisfactorily but it began a habit that has lived with me through over fifty years now. Some time later…exactly how long I’m not sure (though by the time I started my Foundation studies)…I began in idle moments (and to keep me engaged in some activity in the studio) to fill in these having glued them into sketchbooks. Goodness knows how many there are now but its a lot. Some time back I actually collated a few into a pamphlet that I called Rough Cartography. Here’s one that has been mushed up in the last couple days…it amuses me to think about why I do them and whether I’ll ever use them for any more elevated artistic purpose. I am also (obviously easily pleased) amused at the way the locations are obliterated by my actions…if they were shown would others be able to recognise them? What about the one here? First answer received gets a copy of Rough Cartography signed by the artist!  Well it’s Christmas innit!