There’s the rub…

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Wonky Geometry No. 24, Acrylic & oil on paper, 27 cm. square, June 2017

I can’t abide waste with materials…so I’m an inveterate hoarder. Several of my ‘projects’ are the consequence of this compulsion. The Waldgeschitchen series began by raiding my box of failed paintings on paper and pasting bits onto fresh paper, the Lavanderia idea utilises canvas offcuts and the Tales From The Lumber Room recycles all manner of wood bits and bobs (both of these still in process right now). But the sheer volume of failed paper pieces some time back forced me into drastic action. I had acquired four rather lovely boxes some 27 cm. square and began to trim and re assemble pieces with an ambition to fill them with a new series of small works. This increasing avalanche has the title of Wonky Geometry and they sit somewhere between the more straitjacketed Geometry paintings (some of which can still be seen at The Crypt in St. Marylebone Church until 30th June) and my Very Like Jazz works (and the Winter Cycle that preceded them). And the voluminous quantity liberates them a good deal. I’ve tried not to be precious or hidebound with them…I’ve even co-opted some of the existing imagery, not only my own but occasionally that of my children and others. Whether there is any genuine quality alongside their undoubted quantity – well theres the rub as William had Hamlet remark.

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Wonky Geometry No. 16, ink & acrylic on paper, 27 cm. square, May 2017

Of the show in Marylebone its worth reminding that there is a discussion this coming Friday week (9th June) at 3pm. If nothing else its an opportunity to chat with several of the exhibitors including myself and the show’s curators Lucy Cox & Freya Purdue.

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detail, Six Miles High, 72 x 48 cm., Acrylic on aluminium, 2017

And another shameless plug – one of the Geo series Six Miles High – is featured on the Auction blog set up by the artist Andrew Bracey. He has assembled quite a cast list for this charity event inspired by the death of his father last year and in support of Liverpool Heart & Chest Hospital. A really worthwhile cause and the opportunity to pick up a work by some great artists at bargain prices.

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Dither…

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I started the new year (it already seems a lifetime ago) with a plan.  Yesterday I took a look and thought it was going west fast.  It is dither that does for me…take a look at the Very Like Jazz new panels for example.  I’m pretty sure at least half of them are fairly close but I’m dithering over them, fiddling about with the grounds and then taking out a shape here or altering its colour there. So with February being the deadline for four then I need to make some decisions.  But (and its a big one) the ‘plan’ also suggests that by the end of the month I’ll have two Water paintings finished, two Paintings Standing Up resolved, and five Playground Of The Midlands pictures completed.  And that doesn’t include the work that continues on the maps and a couple other things knocking around the studio that haven’t even got to a base camp yet!  I know I could just try working on one thing at a time but that just isn’t my way of rolling…

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So this morning I thought I’d try and get a grip…or at least a foothold.  So back to the Water pictures then – and (I suspect partly as a result of no alcohol and a fairly decent nights sleep) glory be at least two of this series finished.

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These are of course the follow on from Waldgeschichten, the series of eighteen panels that drew upon the Wood section of Simon Schama’s Landscape & Memory.  So that’s all good then…just sixteen more of these to go.  Now what about the Playground of The Midlands series?