No Reports!

That’s us, in the hut next to the car – the other building is a work in progress…

In my last post I suggested there might be posts from the Outer Hebrides…sadly our location precluded it. Not because we had no signal, the 4G was healthy…but I swiftly exhausted my data allowance! But actually it did me a favour – quiet and no distractions from the amazing environs we were in and those we visited. I will refrain from posting endless glorious photos of these islands, if you haven’t been just go.

Some items to catch up on. First the CBP prize; one of the very few competitions worth entering, because its relatively cheap to do so and run by, and for painters. Still a week to submit!

Now onto postcards…I’m currently involved in two projects. The one above :art on a postcard and also : secret post card show 2021

And lastly two shows I’d love to see but fear I may not get to….both by painters of my generation who I admire greatly. If you can get along and support them:

Freya Purdue

Trevor Sutton

Out & About

35ba301e-cbc4-4e3b-8415-47b0c50cb84c

It was a busy Friday evening…first the Lakeside for the opening of the Victor Pasmore show – and also my friend Richard Perry‘s excellent work in the Angear space.  I’ll be reviewing the Pasmore later but suffice to say it’s very much up to the impeccable standards we’ve come to expect there.  Richard’s show I’ve already written about here.

img_5084
Work by Rachael Pinks, small panel piece behind by Clay Smith

So then onto Salon 9 where the energetic and talented Rachael Pinks (aided and abetted by the equally so, Clay Smith) have assembled a significant cast list for another of their highly enjoyable weekend shows. Sadly you’ve now missed it but (and I say this with due humility given I was represented there) it was full of terrific stuff.

img_5082
Paintings by Stephen Snoddy

I’m picking out Stephen Snoddy‘s beautifully crafted small colour panels not only because they were new to me in the flesh (I’d only seen images on screen previously) but also in solidarity with the travails he’s currently suffering as Director of Walsall’s New Art Gallery.  It is seriously under threat from the current round of local authority cuts – a bizarre and nonsensical manoeuvre – given the international significance of its collection.  I first visited in in the latter part of the 1970’s…when it was housed in the old Museum & Art Gallery.  It became something of a beacon of accessible and important works to admire at close hand and is all the more so now housed in its magnificent and award winning premises and the additions of the Beardsmore collection and the excellent temporary exhibitions programme.  If you haven’t be quick about adding your voice to those who have already cried foul!

scan-1
A prized possession…the early leaflet for the collection

Amongst the other works were strong offerings from Rachael herself, from the always immaculate Peter Cartwright & David Ainley as well as Geoff Machin, myself and Clay, whose small inscribed plaster panels showed a lovely sensibility in what is a new direction for him.

 

 

img_5086
Work by Clay Smith