Do you have as untidy a studio as mine? I only ask because I’ve been trying for quite a while now (the very decent Climate Change weather helped…the studio can be perishing in mid-winter) to do some housekeeping. Tucked away in back a bunch of smaller canvases that, for whatever reason, never got fully resolved. Including these two from back in the day…well five years or so ago. Around the time I was working on a bunch of big canvases (well biggish nowadays) that showed at the Carnival Of Monsters in Beeston, Nottingham in 2014. These had started out as the continuation of the Conversation Pieces that in turn began back in the late noughties but altered tack during the painting process erasing the more biomorphic forms with a renewed interest in formalism (albeit of a cranky kind). I say biggish because at 7 by 5 foot they would have been considered fairly tiddly back in the days I was a student at Birmingham where the legacy of John Walker was writ large – literally so!
But alongside the bigger pieces I made these smaller panels, indeed I made several even smaller still. Getting them out suggested they might have made the cut…excepting that they needed a small adjustment here and there which is exactly what they’ve just been given. Are these new completed works to be dated 2014/19 or is that as pretentious as I’ve always thought it to be when seen about the place..?
Nobody much writes about the long slow slog that most painters experience. I know some – Sidney Nolan was one such – can work at a lick to completion. I’m not one. I wrote before the festive season about completing pieces ahead of the break. And naturally enough failed with several I had hoped would now be behind me. Picking up the plot at this distance (an extra two week gap whilst we were in Cornwall) is a bit of a slog.
This has been both studio and living space for the past fortnight. It’s good light, a decent workable wall and a reasonably generous desk. In most respects it works well. There is a sizeable drawback…what the comfy chairs don’t reveal is the view, through the open doorway, and from the window in front of the desk. It looks like this sometimes,
and like this at others…
and has many more moods to show you. Yes I have made some paintings, none fully resolved, but my often glacial progress would be even more dilatory if I ‘worked’ here often. Sadly tomorrow I’m off home to my normal environs!
So it begins…2019 that is and, courtesy of our extended stay here on Cape Cornwall, it will be over before I get going at the pace it’s setting so far. How does time speed up as one ages? Not that I’ve been idle – posting is a bit of a lottery however dependent on a hazy purchased wifi ‘hotspot’ – as these studio images can testify.
And if it all seems a bit glacial that maybe because quite a lot of time is spent keeping our eyes peeled on the Atlantic to catch glimpses of the pod of dolphins that seem to be about these parts of late…and I’m sorry that my mobile isn’t up to giving you the view we’ve seen!
Numbers 57 through 64…been a decent couple of weeks for completions…aiming to finish up a few more to fill out Box Two. Mind that will need me to pick up the resolution rate as I need to get through to ninety! Had been hoping to have two filled by the end of the year…looking a tad ambitious now though you never know?
I watched Picasso’s Last Stand the other evening…he never got up in the mornings they said. Me I don’t sleep so well nowadays so now the days are longer I rather enjoy the early start. As it happens too I’m now using a wall that gets the early morning sun. Add in listening to A Rainbow In Curved Air (on my original vinyl copy) and it doesn’t get much better. And it helps with the productivity – in the past two days I finished up three more of the L’Histoire De L’Eau gang. Here’s Ditties For Her Majesty…referencing the first Elizabeth rather than the current one…
Sometimes it just gets going…and what a good thing too, or I doubt I’d bother. But just occasionally I get started on some new pieces and everything seems to jog along pretty well. So it is with the Rock pieces, third part of the Landscape & Memory project.
Of course tomorrow morning it may all turn to dust, that happens just as regularly!
Still as the light fades (and today was proper Spring until four this afternoon) I’ve these three plus five others that have seemingly got something I can work with. Tomorrow I’m out and about but it will be interesting to return to the studio first thing just to see how I feel about them…