But first…Wonky Geo No. 158
So I’m casting around last evening for entertainment and chance upon theYouTube video of Andrew Graham-Dixon sashaying about Sotheby’s pimping their sale (a few days back)…actually rather more interesting and informative than might be imagined. And this morning I briefly looked up the results. A goodly proportion of the lots went and most within their estimates. However a Banksy nearly doubled its upper estimate figure going for £2,235,000. This triptych of altered pre-existing paintings of seascapes references the on-going tragedy of migrants endeavouring to cross the Med. Setting aside my profound antipathy for mega wealthy individuals (both vendors & purchasers) salving consciences in this way, the means employed – riffing on the altered readymade pioneered by Duchamp over a century ago – seem a bit tired and hackneyed. Nonetheless to the credit of those concerned all proceeds will go towards building a new acute stroke unit and purchasing children’s rehabilitation equipment for BASR hospital in Bethlehem. Better that than redistribution from billionaires (Oligarchs etc.) to mere millionaires (Gerhard, Tracey, Damien, Jeff etc.) …
But what took my eye particularly was the attachment of a Pest Control Certificate of Authenticity to the work. Why one wonders? My hunch is that these three rather manky canvases were picked up in a local bazaar and might be subject to dry rot or other assorted mange…and if you’ve just podded out over £2 mil you probably don’t want to see it fall apart that quickly (though long time Banksy watchers might hazard the guess that’s precisely what he intends!).
It got me to thinking about my Paintings Standing Up (most recent example seen above), after all were one ever to sell then given the dubious sources of their materials perhaps they too should have such a certificate. But who issues such things…Rentokill perhaps!