I’m a passed master at swapping horses in mid-stream…after all I’ve got three smallish canvases completed since Xmas with another seven, one a fair bit bigger (a metre square), underway. All of these are probably, even with my piddling about, quite near to completion so – just the moment to turn away from them and reconnect with something quite different! But that’s my M. O. as anyone following this blog will know. So back to the Landscape & Memory project and getting into the final stage – the Rock series. Here’s the second of the eighteen that will make up this group – Contemplation By St. Francis. Click on the relevant tag for some kind of explanation about this malarkey.
“Till, where thy widening current glides to mingle with the turbid tides, thy spacious breast displays unfurled ensigns of the assembled world”
Sometimes it just gets going…and what a good thing too, or I doubt I’d bother. But just occasionally I get started on some new pieces and everything seems to jog along pretty well. So it is with the Rock pieces, third part of the Landscape & Memory project.
Of course tomorrow morning it may all turn to dust, that happens just as regularly!
Still as the light fades (and today was proper Spring until four this afternoon) I’ve these three plus five others that have seemingly got something I can work with. Tomorrow I’m out and about but it will be interesting to return to the studio first thing just to see how I feel about them…
I’m back working with some serious intent after a dose of ill health – and focussed on completing three bodies of work. The first of these is getting into the third and final part of the Landscape And Memory project, following on from the wood & water sections its onto rock. And an opportunity to review the working process. For the first part I pushed collaged elements about with pva and acrylic paint across the whole selection of papers (some 21 in total) and then began working up each one, selecting text components as I went. With the water work I’ve treated them piecemeal, with far fewer collaged elements, and it has been a far tougher ask. So back to the first way of working in this section.
It has me thinking over how much process impacts on the making of non-figurative work, something that maybe has a more profound influence on how paintings work out than might be imagined. How and why we choose elements, especially using collage, is fascinating to me. I try not to analyse it too much though in case I find myself shifting stuff around to ‘fit’ certain kinds of imagery….though hang on don’t these look mountainous! Just as I’m re-reading material focussed on the peaks of ranges, in the west and the east…and good grief now Schama is talking dragons…obviously I need to exercise caution now…