People are crazy and times are strange I’m locked in tight, I’m out of range I used to care, but things have changed
So his Royal Bobness fetched up in Nottingham for the first time (I think) since 1966…opening up his set with these particularly pertinent lyrics – at least for yours truly. Maybe (mostly) its a consequence of my age but they seem to sum up our ridiculous and crazy world. How we can be sleep walking towards totalitarianism across the western world I really don’t know – just shows how seventy plus years of stability makes people (or rather a lot of them) complacent I guess. We can only hope that once things start getting seriously askew they may wake up.
And Bob has also changed everything, not least the tempo, tone and even the melodies of some of his best known songs alongside those many more recent and less well known ditties (a solid bunch off the Tempest album). But it was a decent show, house lights down on the dot of eight pm. and an hour and forty minutes of non-stop boogie, hard rock and some alarming crooning! But Bob always goes his own way and as one of these standards said ‘Why Try To Change Me Now’? So I kind of appreciate this bobbing and weaving to keep the audiences guessing.
I’m flitting between bodies of work in my painting too. As is by now well known to any followers of these ramblings I don’t do a ‘signature’ style but address each set of pictures in whatever manner seems to me to suit the occasion. Its especially messy right now. In one corner sits the canvas pieces for the Lavanderia series, in another the lumps and bumps of my Paintings Standing Up. Over on one wall another in the extending series of Very Like Jazz whilst right here is another of the twenty five or so small oils in the Charnwood series Playground Of The Midlands. Up on the balcony are the Water paintings (the second part of the Wood, Water & Rock pictures that take their cue from Schama’s Landscape & Memory). And somewhere at the back a small panel collection provisionally titled The Rigged Deck. Of course there’s also the painting of maps, the Wonky Geometries and the RagBags that just chug along forever. So who am I to call the world crazy!
I started the new year (it already seems a lifetime ago) with a plan. Yesterday I took a look and thought it was going west fast. It is dither that does for me…take a look at the Very Like Jazz new panels for example. I’m pretty sure at least half of them are fairly close but I’m dithering over them, fiddling about with the grounds and then taking out a shape here or altering its colour there. So with February being the deadline for four then I need to make some decisions. But (and its a big one) the ‘plan’ also suggests that by the end of the month I’ll have two Water paintings finished, two Paintings Standing Up resolved, and five Playground Of The Midlands pictures completed. And that doesn’t include the work that continues on the maps and a couple other things knocking around the studio that haven’t even got to a base camp yet! I know I could just try working on one thing at a time but that just isn’t my way of rolling…
So this morning I thought I’d try and get a grip…or at least a foothold. So back to the Water pictures then – and (I suspect partly as a result of no alcohol and a fairly decent nights sleep) glory be at least two of this series finished.
and there they are…the Marquis of Waterford and his pals up to ‘high jinks’ in the 19th century in the town of Melton Mowbray. Literally painting the town’s buildings (and apparently one of the toll keepers) in red. Yes…following on the heels of From The Earth Wealth a few years back and last years Playground of the Midlands it is onto the Borough of Melton in what has become a grand projet to visit, photograph and produce a painting for every place listed in a guide to each borough or district of Leicestershire. As with Playground I’m being accompanied by my friend Simon and once again I’ll refer you to his posts for the quality photographic images – my excuse for the low grade ‘snaps’ is my focus on using (and abusing) them to make photoshopped collages that serve as the springboard for the canvases. So our first trip out takes us out to Welby (hardly a place at all…the local Manor owner apparently shipped out the locals back in the day!) but the church still exists…although we had a few interesting moments locating it!
Then onto the somewhat larger village of Scalford, that was pleasant enough but lacked much liveliness although as always there were several interesting and novel visual ‘tags’ to take in. Enough at least to enable me to cobble together a collage that can spur on the painting process.
Having strolled around the village (larger than it might appear from the main road that runs through it, as has been the case with quite a few) we decide to move on to the lunch venue. I’ve described before how these are chosen – by zooming in on Google to the relevant area till the first knife & fork symbol appears – but this time I omitted to check that theRose & Crown in Hose actually opens for lunch and it didn’t!
So we double back into Long Clawson the last of our quests on this first trip out. We spot a fella appearing to enter theCrown & Plough the pub in its centre…so start hot footing towards the entrance – only for said fella to pass us saying it too is closed! Now glum chums we get back in the car grumbling about what is wrong with these inns only to turn the bend and spot the On The Sands cafe & deli. Hooray! lunch is available and very good too. So hardly painting the town red…more the surrounding countryside a delicate light shade of pink…or it might be except its January in England
It’s the last trip for the Playground of the Midlands project that started the day in Syston before moving onto Seagrave and lastly Walton on the Wolds (though my estimable partner in crime ducked out of this one). Some might think that we were fairly eccentric in this endeavour though it doesn’t seem to have caused too many raised eyebrows as we, two loud, large, late middle aged, men with cameras, cruised about the Charnwood borough (other than crashing the Thurmaston Parish Church Coffee morning a couple weeks back).
Anyway we are done now. And of course there have been several of these signs dotted about the borough. They have a certain charm and usually feature fairly bland and obvious imagery as above…but hang on a minute…whats that chap doing on the right hand panel above?
I think we should be told…why its Montague ‘Bertie’ Bird. The sometime Vicar of the parish who around the turn of the twentieth century developed (excuse the pun) a passion for photography and…a habit of doctoring his images! Well that is eccentric!
As Simon says…its a hard business but we have been chosen (or at least we self selected). And today I spent the first forty five minutes saying I’d never been here before…until we chanced across this charming scene from King Lear (appropriately in a lake of the same name – well gravel pit) when it became clear that many moons ago (the 80’s) I had passed this way once before…just as the artist was creating the work…he was a young sculptor – David Hunter – from Leicester and he had the opportunity to make a piece on this site…back then a pretty rough and ready location.
The construction of the piece was – I recall – quite a challenge for David, fresh out of college, and a pretty stiff learning curve. It was cold and very wet the day I visited but he persisted and it was good to see that the work has stood up to the test of time pretty well.
We were of course on our Playground Of The Midlands jaunt…the project to mark every entry in the early 80’s Charnwood Borough Guide. Today we took in Birstall, Thurcaston & Wanlip though in truth we pretty much kept to the Watermead Country Park that the three bound on the north side of Leicester. It made a refreshing change to take in plenty of waterside and countryside for a change and on reflection seemed quite appropriate overall. Not least as the River Soar is, as my pal Simon pointed out, the ‘backbone’ of the Borough running from just south of my village Kegworth, above the north boundary, and leaving it to meander into Leicester proper to the south. Whatever our excuse it made for a good walk topped off on our return to The White Horse in Birstall for a damn good pub lunch!
Yesterday was good, really good actually, beautiful weather – sunny and warm but with that slight cooling autumnal breeze – the makes England, especially that rural part of England that is the Playground of the Midlands such a good place to be stirring the creative juices. If you want (and why not?) some good images of our travels head over to the site of my pal and partner in crime. I’ve long since given up on slogging it out with him on the photo front – my images are simply fodder for the paintings, not least as I bastardise them extensively before using them as the equally loose basis for the paintings themselves (see below!).
Though my pal’s blog points up a particular problem with the project – that villages like Swithland present rather few points of incident for novel creative interventions. Indeed I was reduced in that location to snapping planning applications appended to the telegraph poles…
And this got me to thinking today. I, with most of my family, was overjoyed that, despite the awful, nasty vilification from Labour MPs, the whole UK media and a loud but mercifully modest (and utterly misguided) section of the membership, got our Leader re-elected. This after a poisonous and wholly unnecessary contest that did nothing but deflect us from the vital task of defeating the awful, corrosive and divisive Tory government hellbent in taking us back to Victorian times.
As we strolled along the road, passing the homes that (entry level 500k plus) lined these leafy glades, it is easy to think that the Tory way is set in England forever (and some of my Labour friends think our decision to elect a genuinely left Leader seals the deal). But these places are ‘true blue’ and of course will never elect a decent fair-minded and compassionate government. Greedy, selfish and narrow-minded bigotry seeps out of a fair few driveways (apologies to those thereabouts that don’t see it that way, I’ve met quite a number over the years!). But nonetheless the fight for a properly fair and decent society has always been fought on a thin sliver of the electorate (usually no more than 500k) whose interest in politics is marginal at best and most of whom take little or no interest in the day to day knockabout of the political process. Their votes are always up for grabs and more often than not go to the party that seems least likely to upset the applecart (and its usually the case that one side loses rather than that the appeal of the others wins).
And so (with my first stab at the likely image for Shepshed from my project as my headline image) I’m thinking: why have so many of us decided to back a properly left of centre leader for our party (now apparently the biggest left of centre political party in Western Europe)?? Maybe, just maybe, the really radical and constructive alternative to a Tory government (whose sole purpose is to protect the interests of the few over the many) can succeed if it sticks together and keeps true to its principles. Not least as whole swathes of middle England (the Shepshed’s rather than the Swithland’s) sink deeper into despair to shore up the super wealthy and the penny begins to drop that it just ain’t working for them. We can only hope.
And time passes…and I’ve not managed to post in very nearly a fortnight. Perhaps I’m running out of things I want to say…or just too busy with other things (but what?) or just too plain idle. But there are small moments of thought that might have made decent posting. Like the economy and certainty in the 50’s and 60’s of Francis Bacon’s paintings that moves into a kind of Mannerism later where the paint thickens and becomes perhaps a little less sure of itself (at least to my eyes) – seen in the rather good display at Tate Liverpool (now sadly closed I think). Or the sheer genius of Louise Bourgeois in the display in the new Switch House at Tate Modern. Here I was especially taken with 15 drawings made in her 97th year…and I’m certain mistakenly labelled as etchings? (or not..the etching is the base on which she drew further marks so the link says)..although maybe I’m wrong (as without looking too carefully I mis referenced to my companion a Whiteread as an Andre!). I was less excited by Wifredo Lam than I had expected…too much influenced by others (even after the early days) and thinness in process taken perhaps just a wee bit too far. And the Liverpool Biennial display at Tate which (sorry but) looked like contemporary art but was pretty much just stuff by and large.
In my own work I’m busying myself with various projects, making inroads into what has become the second part of a three part romp through Schama’s Landscape & Memory, getting into the Playground of the Midlands canvases, but also casting around for a form for a series of paintings stimulated by the East Coast (a follow on from the Cornish Coast group). At first I experimented with a tall upright and agonised over the exact dimensions settling eventually on two competing sizes and ratios. Then I pretty much settled on the thinner of the two at 130 cm. high (the turning of the flat coast in the east on its side an idea I nicked from Shelagh Cluett, oddly enough one of whose works from the relevant series was up in Tate Liverpool). But – and I imagine anyone unfamiliar to art practice will wonder what I’m agonising about! – I’m still not happy so I have plundered the far past for a ‘fresh’ idea (see top of post) a take on my proscenium arch idea that I first deployed in my practice in 1969. There’s nothing new under the sun…well certainly in my practice!
after all it’s The Playground of the Midlands project. But sometimes its quite difficult to imagine who came up with this tagline for the Charnwood borough! Not that Quorn, Barrow, Sileby & Cossington don’t have their charms…after all my pal found love today in the public carpark in Cossington!
So it’s back to this project now. Three canvases are underway and now we have the visits to more than two thirds of the places listed in the guide under our belt. As the autumn weather sets in I’ll probably feel more inclined to work up the painting ideas for more of the pictures…and to get on with making them. Though given that my original deadline was the end of the year for completion of this enterprise I think some revision of the target may be necessary!
It was going to be a full day out on the Wolds (on The Playground Of The Midlands project), but in the event rain stopped play…not that we (my pal Simon and myself) are wimps…we can do cold, wet and miserable with the best – but nowadays we don’t have to! So it was a waltz around Wymeswold, a brief stroll up and down main street in Burton-on-the Wolds, ambling up and down one of Cotes’ two by roads, a momentary pause outside of Hoton and then back to Wymeswold and the welcoming embrace of The Windmill Inn just as the heavens opened.
I’m imagining that may well do it for these four locations. Wymeswold was a revelation, being the kind of place most of us might drive through on the main road (towards the A46 and on to Melton), where it opens up into a much more substantial village and the aforementioned pub. Burton, Cotes and Hoton are much as one might imagine as a casual passerby. None especially exciting either culturally or in particularly novel visual ways. As with the previous project (From The Earth Wealth) in what may well end up being a series (of all districts of Leicestershire) I find myself falling back onto juxtapositions of fragmentary images to stimulate the canvas that will ‘represent’ the place. As an example above is a swift and crude example (that may or may not be used) from Cotes. And below a first stab at Burton…though I doubt I’ll use the text element.
As for lunch we cannot recommend The Windmill enough. The two course lunch is a good option, the pate for Simon, the Whitebait for me, followed by Beer battered Cod and Home cooked Ham, both with lovely big home cooked chips and trimmings. But as we emerged it was hammering down. So for the first time this year on our trips around Charnwood we abandoned our quest – just as you might expect in late July!
Today I got back to some serious work after quite a layoff. And I remembered that it can be rather tiring! In fact its a well kept secret amongst painters that the studio is rarely a relaxing environment and that, although there is a degree of sitting and pondering, mostly it is quite hard graft. I’m now endeavouring to make solid progress on the eighteen panels that will make up the core of the forthcoming show. Actually I have six ready to go and another fifteen in play (I can count but I like to have a few extras in the mix).
Here’s two of those still ‘on the go’ but I fancy nearing completion. The only distraction today has been the arrival on the scene of someone who I fancy may become my sternest critic…not least as she’s likely to be the most regular presence in the studio…so say hello to Mindy.
But for now its time to get back on the road…Wymeswold and the other Wolds, Prest, Walton & Burton plus Hoton and just maybe Cotes…all part of the Playground Of The Midlands.