how things collide in your head during this isolation (I’m still too frit to properly venture out) especially as contacts with others is confined.So just as I begin sorting out the next substantial project – based on Alexandra Harris’ Weatherland – I find its concerns reverberatingin my thinking with Chapter Three of Jeff Young’s Ghost Town.I’d spent a good deal of a day siftingthrough the former arranging a series of quotations by others that Harris had used to be the framework on which my series will hang.Literally insofar as they are ranged around the perimeter of the canvases I’m intending.And then this very morning I find Jeff musing on the importance of weather…”The weather is memory and memory is the weather. It seeps into this place, becomes layered into it. The meteorology of memory.”And whilst I had been attracted to a brief passage from the introduction to Weatherland as the title of my sequence “I have tried to hang a mirror in the sky” my wife pointed out its connection to a title I have used before ‘Nothing But Mirrors And Tides’ (that stolen from Anne Michaels wonderful Fugitive Pieces for a solo show at Derby Museum nearly two decades back) and I’d already thought it perhaps overlong.And now – glory be – it seems that not only have I a marvellous title ‘The Meteorology Of Memory’ but those few words also crystallise the core of my thinking behind these paintings.
Because unlike the three series that comprised the reflections on Schama’s Landscape & Memory (Waldgeschichten, L’Histoire de L’Eau and Rock Of Ages) where the impulses for the form of each work preceded and then ran alongside the textual content here I have zoomed in on the texts (setting them in a framework of the months of the year) and hope to evoke memories, form, colours and reflections of each month as it unfolds.At least in the conception of the work as a whole because, unlike my normal way of working, I intend to make a sketch or cartoon (if you wish!) for each painting before making the full size work.Within this sits another secret source of imagery drawn both from my own reservoir of images and ones stolen from other observers of the world around them…something that has become so easy since the advent of the digital when everyone is a photographer of some (albeit) occasional distinction.
Here’s a rarity – a kind of semblance of recognisable imagery with this – the penultimate piece in the L’Histoire De L’Eau section of my Landscape & Memory series – The Vain Water-Poet. Named in honour of John Taylor whose escapades fit well within the broader history of English eccentrics. As always there is little that connects the picture with the event beyond the very loose form of the boat and the text but that is not really the intention as I’ve suggested before.
As it happens this image, most likely because it was the one up on the wall in the studio at the time, is featured in the visual advertising for Lucy Cox‘s enterprising series of podcast interviews – Painters Today where I am honoured to be the third artist in this endeavour – connected to the Contemporary British Painting group and the excellent Priseman-Seabrook collection. Whether anything I said over the course of a longish interview has any value is for others to judge but it might shed a little light on the activity I get up to and is recorded here.
for finishing up another (number thirteen) of the L’Histoire De L’Eau subset of Landscape & Memory. And alongside this I’m tidying up the four sculptural pieces that I’m taking, alongside my banner pictures to the exchange show we are mounting in the Greniers A Sel in Honfleur, Normandy alongside the artists of the Contre-Courant group. We being the artists associated with Harrington Mill Studios in Long Eaton Nottingham. Although I’m no longer a studio holder there Jackie Berridge, the Head of HMS, has very graciously invited a bunch of us ‘alumni’, myself and my wife (the artist Sarah R Key) included, to be part of the fun.
I watched Picasso’s Last Stand the other evening…he never got up in the mornings they said. Me I don’t sleep so well nowadays so now the days are longer I rather enjoy the early start. As it happens too I’m now using a wall that gets the early morning sun. Add in listening to A Rainbow In Curved Air (on my original vinyl copy) and it doesn’t get much better. And it helps with the productivity – in the past two days I finished up three more of the L’Histoire De L’Eau gang. Here’s Ditties For Her Majesty…referencing the first Elizabeth rather than the current one…
I’ve had quite a time of it recently…several bouts of mystery illness culminating in a nasty flu that still has something of a grip after a week…picked up ironically at our local A&E whilst I was waiting on a family member who was ill at the time! Best to stay away from hospitals if you can it seems. Today I’m feeling just a little more human, enough to review progress on the various projects I have on the go (regulars will know I keep far too many differing things in play than is sensible). Here is the second batch of the L’Histoire De L’Eau pictures – part two of the Landscape & Memory trilogy based very loosely on Schama’s book. Working with these is a curious process…whilst I have already chosen my eighteen texts some of the individual panels immediately suggest which one should accompany it but others much less so, to the point where some have to undergo drastic reworking to make them applicable. And of course as each text is taken this gets harder so that eventually (at least with part one, Waldgeschitchen ) I am forced to write out each remaining one and shift them around the panels till I can make it work (or in one or two extreme cases replace them altogether). I guess some might say – quite reasonably – this seems a cock-a-mamey way of going about things but its my way for better or worse.
in the past comprised a lot more activity and required a good deal more energy. Nowadays the spaces I have over the festive season allow for greater reflection and the opportunity to catch up on the production of work – in this case Osiris Hailed from what is now – fanfare – L’Histoire de L’Eau – well I gave section one of Landscape and Memory a title in German so now why not French? So I’m now 7 into this second of three sections with 7 or 8 more on the go. A big push post this holiday season & part two may be cracked. But of course that leaves an awful lot of other bodies of work up in the air…so I guess I need to get back to full fitness and, crucially, get my work plan back in place…but that sounds ‘orribly like New Year resolutions – and I hate them!