what has become of Birmingham over all the years since I walked the streets of that city. Here’s a photo I took just below the Rotunda back in 1976 or thereabouts. I doubt you’d recognise anything in the picture including the Grade II listed structure itself – a clue the advert for Double Diamond has gone…as has the beer (actually I just checked and apparently that’s not true…its still brewed allegedly because it is Prince Philip’s favourite tipple). Actually yesterday’s trip (another good day out with my pal Simon) took us swiftly away from this end of town to the other end of New Street. And here you don’t need to look back to the 1970’s for evidence of rapid change as even a gap of a few months reveals another story. Here’s the site of the Birmingham Library…with a good view of the Birmingham Library! The site being the Central Library that opened in 1974 just after I arrived in the city as a post-graduate student…boy…that makes me feel old! Tempus Fugit… Luckily although the entrance faces this construction site the Museum & Art Gallery is still accessible and, as it happens, in excellent form at present. As per our usual we got stuck into the comestibles first – we have our priorities right – and the cake selection and the staff make the grand Edwardian Tea Rooms a real pleasure as well as a beautiful space (score one to Tangye brothers). After that a stroll through the galleries is always rewarding and at present a wonderfully thoughtful and well curated show sits in the middle of the building.
‘Curation’ is a much abused and loosely used word nowadays. If it means anything in terms of contemporary art practice then it surely involves a degree of careful intellectual and emotional construction of a selection of works to create a meaningful engagement with the work. And if you want to see how that should work out go and study John Stezaker’s Turning to See. Any commentary from me is superfluous it simply stands on its own impeccable’ jewel-like completeness.