PSU Nos. 43 & 44

Painting Standing Up No. 44 Ideal Country

Sitting and waiting these two since I returned from Dorset. For what? just the final tweaks as it turned out. Sadly none of the Paintings Standing Up are going to Déda…and what’s the status of that showing of the exhibition Days Like These anyway…not sure as they (and we) are firmly mired in Tier 3. Ah well at least we got the shows title on the nail…

Painting Standing Up No. 43 Forward to Spring!

Minervois?

The generation of an idea for a painting, or a series of paintings, isn’t really that hard.  Actually finding the form for the notion and then committing it to canvas or paper (or whatever other support you come up with) is a darn sight more tricky – for me at least.  I sometimes envy those painters who go to work day after day (even year after year) knowing that it will be more rectangular stains or oily stripes or spots or whatever, and that these vehicles can encompass all their feelings for what they think the picture might stand for.  

And as I come towards the end of a group of like minded pictures (occasioned by either a natural or practical conclusion) I start thinking about what may come after.  But rather than moving forward with freshly minted thoughts it seems like one of those times to think about mining older shelved projects. So I’m toying with a set of canvases that will be based on the stack of collages made off the back of a trip to the Minervois way back in 2007…

But for the present here’s one that started out down in Dorset…text then from Robin Robertson’s poem of the same name…

Between the H & HM
Between the Harvest and the Hunter’s Moon, acrylic on paper mounted on board, 104 x 31 cm. 2020