Malheureusement…

malheureusement…has always been one of my favourite French words.  I don’t have many, a combination of typical British ineptitude with languages coupled to a right git oral examiner at ‘o’ level taking the piss out of me for getting my hair mixed up with a horse..!

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But this one stuck…I just loved it – and it comes in handy here.  It is a pity (or quel domage…) but I couldn’t resolve the three panel piece above for the show in Honfleur (see last post).  It was to be a glorious homage (crikey more French) to Honfleur’s most famous painter – the wonderful Eugene Boudin but this Quatre, cinq, six, sept kept slipping away from me.  And the tricky colour thing, a desire to keep it light and airy, has been hard here inland and often (over recent months) in the dark.  Maybe what it needs is a trip to the beach…somewhere bright and breezy…the south coast perhaps or – how about – Normandy!

Maybe I’ll scout out one or two of the fella’s favourite locations,  Deauville, Trouville or Le Havre whilst over at the show.  Peut-etre…(enough French already ed.)

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A Good Morning…

Dream of Poliphilus

for finishing up another (number thirteen) of the L’Histoire De L’Eau subset of Landscape & Memory.  And alongside this I’m tidying up the four sculptural pieces that I’m taking, alongside my banner pictures to the exchange show we are mounting in the Greniers A Sel in Honfleur, Normandy alongside the artists of the Contre-Courant group.  We being the artists associated with Harrington Mill Studios in Long Eaton Nottingham.  Although I’m no longer a studio holder there Jackie Berridge, the Head of HMS, has very graciously invited a bunch of us ‘alumni’, myself and my wife (the artist Sarah R Key) included, to be part of the fun.

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