You know how it is…you finish one box and another comes right along. So here’s A Confusion Of Clouds. Forgive me if I already signalled their arrival – I started it back in January of this year…but only just revisited it. So who knows, after all its all pre and post COVID…
And also a plug…for Days Like These, now showing at the Malthouse, Town Mill Galleries, Mill Lane, Lyme Regis until 4th Nov. (daily 10 till 4) where I’m showing a few of my Paintings Standing Up.
Goodness I hate this ‘new improved’ WordPress! How do you make something simple and straightforward so much more of a faf? Get Bojo’s Government in I guess… But I digress. It’s truly a ‘red letter day’ for me as I’ve finished my Wonky Geometry box set. Four boxes, 45 in each…180 in total.
Now here’s an idea. I’ve passed by the Artists Support Pledge idea for several reasons, not least that I’d likely not sell much or anything! But I’m now thinking I could donate a little more directly. So if anyone was interested they could message me and have one for £40…a Bobby Moore (score) for me and one for the pot (its possible to do that through their website). Somewhere on this site I’ve put up several of the series already…but I’ll add more this weekend.
I just donated my piece in this show to the cause…to get a book of the contributions made….and at the last time of looking it seems (with a little over a week to go) that it has only 22% left to raise. So why not head over to Kickstarter and pledge? There’s a range of goodies on offer and the book itself will be really interesting. This initiative from Andrew Bracey has already been a terrific success so please consider capping it with a contribution.
Anyone who has followed this blog for a while will know how I made my contribution…luckily well ahead of C19! But besides my work there’s plenty of others to tempt you!
Meanwhile back at my ‘day job’ I’m pushing on with part two of my epic journey around Leicestershire…the Charnwood Borough (with its strap line of Playground Of The Midlands…). Today I’ve signed off on Wymeswold (above) & Walton (below).
I thought at this time of appalling embarrassment to be British (through no fault of mine I should add) I ought to find some way of reminding myself that some of us at least remain committed Europeans. So this picture, one of my Lunar Pulls series, just completed might suffice. Named after, and drawing upon, words from the great Portugese poet Fernando Pessoa.
As one ages excessive alcohol consumption requires practice; and so those of us who have endeavoured to cut back begin to realise that over indulgence on a more occasional basis leads ever more often to severe hangovers. So it was yesterday. The consequence being a severe drop off in productivity. There’s a modest upside though. The dulling of the brains prevents bravery and so a certain plodding ensues. In this case plugging away at a canvas that has been through a serious amount of surgery. But I’m none too disappointed with Before Play. A tad ironic title (coming from a poem from the great Vasko Popa) but also referencing the endless pissing about this one has gone through.
Being involved with the Contemporary British Paintingsetup has been a delight. Not least for the opportunities that it has afforded. I owe it a vote of thanks and also that terrific painter Terry Greene for the introduction.
A complete volte face…back to my Playground of the Midlands series…and the lay off means having to put a very different ‘head’ on. Back to working off of specific visual sources (that is referencing images crudely constructed from photos take on site). Working to resolve them whilst readjusting to using oils and as Thomas Nozkowski used to say keeping them open “so that everything is back in play”.
So I’m casting around last evening for entertainment and chance upon theYouTube video of Andrew Graham-Dixon sashaying about Sotheby’s pimping their sale (a few days back)…actually rather more interesting and informative than might be imagined. And this morning I briefly looked up the results. A goodly proportion of the lots went and most within their estimates. However a Banksy nearly doubled its upper estimate figure going for £2,235,000. This triptych of altered pre-existing paintings of seascapes references the on-going tragedy of migrants endeavouring to cross the Med. Setting aside my profound antipathy for mega wealthy individuals (both vendors & purchasers) salving consciences in this way, the means employed – riffing on the altered readymade pioneered by Duchamp over a century ago – seem a bit tired and hackneyed. Nonetheless to the credit of those concerned all proceeds will go towards building a new acute stroke unit and purchasing children’s rehabilitation equipment for BASR hospital in Bethlehem. Better that than redistribution from billionaires (Oligarchs etc.) to mere millionaires (Gerhard, Tracey, Damien, Jeff etc.) …
But what took my eye particularly was the attachment of a Pest Control Certificate of Authenticity to the work. Why one wonders? My hunch is that these three rather manky canvases were picked up in a local bazaar and might be subject to dry rot or other assorted mange…and if you’ve just podded out over £2 mil you probably don’t want to see it fall apart that quickly (though long time Banksy watchers might hazard the guess that’s precisely what he intends!).
It got me to thinking about my Paintings Standing Up (most recent example seen above), after all were one ever to sell then given the dubious sources of their materials perhaps they too should have such a certificate. But who issues such things…Rentokill perhaps!