And back to the Very Like Jazz series with this one…Blues & Roots after the marvellous Charles Mingus album of that name from 1960.
and Dat Dere, as seen above. Another in the Very Like Jazz series. Oddly enough over fifteen or more years back I titled another painting the same (one of a series called Blue Note 45’s). This time around its taken directly from dear old Cannonball Adderley rather than chosen, fairly randomly from a couple of Blue Note singles compilations. I’m nearly out of panels for these now…so with two larger, and one 30 x 30 (as this is) that will be it for a while. The penultimate 30 x 30 is this one…titled after the first track on Mingus, Mingus, Mingus, Mingus, Mingus an album from 1963 by – surprisingly enough – old Charles Mingus. II BS is titled thus because the man was finding it hard to choose a suitable title ( so two b.s. it was!). I’m getting to the point where I can empathise with him…
It’s another of those grey, damp mornings that seem to be characterising our winter (so far) but best not to grumble. Not cold or waist deep in snow (eh, Stephen!) and my investment in the Daylight Slimline Table Lamp means I can work comfortably on the small Jazz paintings at the (warm) kitchen table. As is my habit I’m listening to jazz as I work (today it’s fifties and early sixties fare from the great Charles Mingus, a perennial favourite). But wait what’s this? Vocal music is usually a no – no when painting but here’s dear old Michael Chapman. He was prescient when he wrote Fully Qualified Survivor wasn’t he? Then 30 now 76 but in good voice on a beautiful album- 50 that is rich and full, a mix of older material re-recorded and three new songs. What a lucky lad am I sitting here in the warm working away to lovely music with Mindy the dog to keep pleasant (and placid) company.
The daylight lamp helps me with colour in the compositions, always a tricky one for me, and gets me thinking about the exquisite colour combinations in my friend John Holden’s paintings. Besides being roughly the same age Michael & John share other characteristics I reckon. The jazz/folk tinged singer songwriter went out of fashion ways back as did hard edge abstraction and in terms of commercial success neither tide has come back in that much since. But both have real heft and solid quality for me (a generation or so after them) and its good to see both of them still giving it their all and turning out such great material. I saw John last week and am hoping there will soon be an opportunity hereabouts for his work to be enjoyed by others.