It’s not what you look at that matters, It’s what you see…

SD

It’s been a really special week or so for acquiring some terrific pictures.  Take this gorgeous little panel by my dear friend Sue Disley.  I’m jealous of her talent as not only is she a terrific painter but also one of the best ceramicists in the country.  I’ll come back to this one in a few moments but first onto another of the new works.  When I saw this little canvas by Stephanie Bates in the degree show at Bishop Grosseteste I knew immediately where it would hang if I could get my hands on it.  The corner of our bedroom where the spiral staircase takes me up to the study area above…already has a wonderful piece by Lauri Hopkins and adjacent to that my truly marvellous Terry Greene painting.  So now as I ascend the stairs to where these rambling are written you see Steph’s canvas next…

install

And once I’m sitting at my mac I have Stephen MacInnis’ work from his ‘Long Series’ to oversee my deliberations…so put them together and it doesn’t get better than that.

Not strictly a new acquisition but my current boss and good friend John Rimmer restored his ‘In My Room’ canvas from 2003 to our care this week.  John has been mainly working with video over the past 7/8 years and though the work was really fascinating (in brief he explored notions of abstraction in painting through collaged film clips put through extraordinary digital convulsions) I’d love to see him get back to painting directly.  John has been consistently inventive in his painting over the years (recognised by two inclusions in the prestigious John Moores).

JR
John Rimmer – In My Room, Mixed Media on Canvas, 36 x 35.5 cm. 2003

The work has all the hallmarks of John’s interest in the fractured and disjointed figurative image, in this case wallpaper pattern, put through some considerable painterly intelligence.  I’d have made an effort to take a better snap but really you need to get up close and personal to see the variety of media and mark making displayed to great effect.

Another acquisition from the show on the course that John leads at BGU and that I occasionally teach into is this lovely little picture by Jordon Lawrenson. Jordon is the source of the quote that heads this column…by Henry David Thoreau and used it in talking about her work for the degree.

JL

The greatest pleasure in teaching is seeing students make real progress.  Jordon worked hard in the final months synthesising her own ideas and images with those of her two year old son.  Picasso said memorably “It took me four years to paint like Raphael, but a lifetime to paint like a child.” and I feel that Jordon has in a modest way latched on to that idea here.  Anyway I love it!

For me looking at work that’s around me and that I liked enough to purchase, swap or blag out of people makes me hungry to do better myself.  And these pictures all come into that category.  Sue’s small panel is a case in point.  As it happens I know the very spot that image is synthesised from…so maybe it actually matters greatly what you look at…and what you see.

 

Those few hardy souls who drop by here on a fairly regular basis might be forgiven for thinking I’ve dropped off the radar…or even the perch!  My excuse is that I’ve actually been properly working for this past week…helping install and assess across the three years of the Visual Arts pathway at Bishop Grosseteste University.  It has been a thoroughly enjoyable experience to be part of a team that has mounted the best show ever for this course.  Now it’s back to business and I’m looking forward to meeting up tomorrow with curator Lisa Denyer who is selecting my contribution to the show below,  if you have the chance please go take a look!:

About Painting

Claudia Böse, Louisa Chambers, Lisa Denyer, Terry Greene, Matthew Macaulay, David Manley, Andy Parkinson, Anne Parkinson

Curated by Lisa Denyer

Venue: Castlefield Gallery, 2 Hewitt Street, Manchester M15 4GB
Preview: Thursday 19th June 6–9pm
Exhibition continues: Friday 20th June – Sunday 29th June 2014

Terry Greene, 'Adventures in Naples' 2013, Acrylic on canvas, 35x45cm

“The aim of art, so far as one can speak of an aim at all, has always been the same; the blending of experience gained in life with the natural qualities of the art medium.”
– Hans Hofmann

About Painting is an exploration of contemporary abstract painting. The exhibition documents systems based, highly structured pieces as well as those demonstrating a freer and more spontaneous language.

Painting is about being in the moment, exploring the properties of the medium to their full potential and allowing investigation into the multi faceted characteristics of paint. Abstraction is an engagement with the fundamental nature of the world through perceptive means. It is ambiguous and open to interpretation. It doesn’t pertain to any single subject, and has the capacity to represent a multitude of thoughts, feelings and visual stimuli.

Painting continues to be relevant because it is not convoluted or arbitrary, but honest and immediate. The painting process is reliant upon intuitive processes and the discovery of new possibilities. It involves being responsive, analytical, and fully engaged with the materiality of the medium. Dialogues, synergies and tensions are created, and polarities of colour explored on a given surface, often evoking a sense of recognition.

Every experience a painter has informs the making of work, just as the viewer brings their own knowledge which informs interpretation. In this exhibition, the viewer is invited to consider the decision making involved in the creation of a painting in terms of a series of significant events that align to form the compositional whole.

About Painting is part of Castlefield Gallery‘s Launch Pad exhibition programme.