Trawling Black Water…

02Given that it has been raining cats & dogs for over eighteen hours now there’s plenty of opportunity to get on with the work!  So I have at last finished at least one piece to my satisfaction.  It derives its title from both the context in which it has been produced (on the waterfront here in Scalloway) and a poem by the late Peter Redgrove entitled On Losing One’s Black Dog.  The view from our French Windows reminds me a little of the time when, albeit briefly, I knew Peter as a student at Falmouth where he was, luckily for us, the Complementary Studies tutor.  He was very finely attuned to the Cornish environment and spoke eloquently and imaginatively about the ‘Black Dog’ in its several senses, one of which (not the one referred to directly in the poem) concerned the melancholia that descends on all things Cornish in the winter months.  After today’s performance here (see photo below) during August one can only imagine what mid-winter brings to the folk here on Shetland!

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A good day’s work?

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I’ve written before on the subject of listening to music whilst working and today I’ve spent pretty much the whole day in the studio.  Usually it’s instrumental music only (I find it difficult to concentrate with lyrics) but sometimes the process is just laborious.  Like here where I’m colouring in forms ahead of the later stages.  And given my location the most appropriate rock music seemed to be about the only post millennial UK rock band I’ve much time for (most of them seem like second rate retreads of the 70’s – must be my age I guess).  I’m talking of British Sea Power whose work – especially the longer work outs like those on Man of Aran or True Adventures from Open Season or Once More Now from Valhalla Dancehall I like a lot.

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Then again the second and third stages of this piece were a lot less satisfactory (as above!).  I think I can still rescue it but it’s hard when you’ve put in such effort but that’s often the way with painting so maybe it was a day well spent.  In any event the music’s been a treat – and if you know their work (and the location I’m in – see previous posts) so appropriate to the context.

Don’t be smug!

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Ah…yesterday…and now today.  It doesn’t pay to be clever does it.  Bragging about the weather has seen a day of squally rain, some of it quite heavy.  We have managed to get out twice for reasonable strolls without getting wet but a goodly part of the day has us confined to the studio.  Some decent progress made but in order to cheer us on a grey day I’ve pinned a few studies I made back on Cape Cornwall a few years back that put some strong Cornish colour on the wall.  Oddly enough we were there on the first of November with a temperature (and sun to match) of seventy degrees c.  And ‘the donald’ says global warming doesn’t exist!

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Its Grim Up North…

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at least that’s what we’ve been taught to believe.  But its a well kept secret that there is great weather to be had up here in Scalloway.  Certainly over these past two (first) days of our adventure over the month of August.  So far its been azure blue skies and full on sunshine.  The Met Office has officially confirmed that Shetland had more hours of sunshine than Cornwall in July and so far August is following suit.

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Not that we’ve been idle…the studio has been tidied and arranged to suit our purposes…and the beginnings of work underway – despite the absurdly wonderful context if you step through the doorway!

 

60 degrees north

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So shortly we are off to the Shetlands, to Scalloway and to The Booth.  For a month we will be living and working there and it is always tricky on such an expedition deciding what to take by way of materials.  You don’t want to be too prescriptive on the one hand but properly equipped on the other.  Especially so as material supplies may be tricky there (though of course it might be much easier than I’m imagining).  Nonetheless I have drafted a sort of plan!  Some time back I was rather taken by a small clutch of Knitting Sheaths that reside in the museum there – I’m hoping to see them during our stay.

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And I’ve riffed on them over the past few months in photoshop…so I have at least the beginning of imagery that hopefully relates to my Wonky Geometry.  Then a trip to the Ashmolean a while back with my pal Simon to see the wonderful Raphael drawing show had us wandering through the room of Japanese scrolls – kakejuki…brilliant!  Just the thing for a trip away…paper based and roll em’ up to transport back easily.

Xmas comes early…

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Above another small painting on paper from the Deadly Delicious series back in 2012…yours for an awfully (almost obscenely) cheap price at the Harrington Mill Studios Xmas Sale!  (Shameless plug no. 2).  Yes your Xmas could come early if you fetched up from 12 noon this Sunday!

And for myself and my wife Xmas really has come early with the news reaching us of the opportunity to spend August 2017 at The Booth in Scalloway!  We visited Shetland back in 2014 and found out about the place then.  It’s exciting as our recent two weeks at Brisons Veor on Cape Cornwall has to be the UK’s most southerly Artists’ Residency and I’m pretty sure The Booth has to be the most northerly?

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The timeframe is good because it gives time for reflections and connections as to what to do whilst in residence.  I’ve already researched some of the previous residents and their activities and of course one of the easiest ways to use the opportunity is to reflect the amazing land and sea scape.  There’s nothing wrong with that but bringing something new to that is a pretty tricky business…thinking caps will be coming into play!

Our experience in Summer 2014 was quite exceptional…not least the couple days of glorious sunshine.  Some more of that would be welcome but over the course of a month, even in summer, we may expect some more rugged activity.  As one can see its location gives plenty of opportunity to savour it up close.

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