Malheureusement…

malheureusement…has always been one of my favourite French words.  I don’t have many, a combination of typical British ineptitude with languages coupled to a right git oral examiner at ‘o’ level taking the piss out of me for getting my hair mixed up with a horse..!

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But this one stuck…I just loved it – and it comes in handy here.  It is a pity (or quel domage…) but I couldn’t resolve the three panel piece above for the show in Honfleur (see last post).  It was to be a glorious homage (crikey more French) to Honfleur’s most famous painter – the wonderful Eugene Boudin but this Quatre, cinq, six, sept kept slipping away from me.  And the tricky colour thing, a desire to keep it light and airy, has been hard here inland and often (over recent months) in the dark.  Maybe what it needs is a trip to the beach…somewhere bright and breezy…the south coast perhaps or – how about – Normandy!

Maybe I’ll scout out one or two of the fella’s favourite locations,  Deauville, Trouville or Le Havre whilst over at the show.  Peut-etre…(enough French already ed.)

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A Good Morning…

Dream of Poliphilus

for finishing up another (number thirteen) of the L’Histoire De L’Eau subset of Landscape & Memory.  And alongside this I’m tidying up the four sculptural pieces that I’m taking, alongside my banner pictures to the exchange show we are mounting in the Greniers A Sel in Honfleur, Normandy alongside the artists of the Contre-Courant group.  We being the artists associated with Harrington Mill Studios in Long Eaton Nottingham.  Although I’m no longer a studio holder there Jackie Berridge, the Head of HMS, has very graciously invited a bunch of us ‘alumni’, myself and my wife (the artist Sarah R Key) included, to be part of the fun.

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Festivities…

IMG_0105in the past comprised a lot more activity and required a good deal more energy.  Nowadays the spaces I have over the festive season allow for greater reflection and the opportunity to catch up on the production of work – in this case Osiris Hailed from what is now – fanfare – L’Histoire de L’Eau – well I gave section one of Landscape and Memory a title in German so now why not French? So I’m now 7 into this second of three sections with 7 or 8 more on the go.  A big push post this holiday season & part two may be cracked.  But of course that leaves an awful lot of other bodies of work up in the air…so I guess I need to get back to full fitness and, crucially, get my work plan back in place…but that sounds ‘orribly like New Year resolutions – and I hate them!

Privileged…

to have been part of the extraordinary adventure that was stimulated by, and masterminded by, Robert Priseman.  I have Terry Greene to thank for suggesting I contact Robert over a year or so ago and beginning my own small part of what has been quite an amazing story.

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Robert Priseman

It was the exchange of paintings, mine from the Very Like Jazz series and the gift of a lovely panel picture from Robert in return, that led to the invitation to be included in Contemporary Masters From Britain currently on show at Tianjin Academy of Fine Art having visited three other large Chinese venues since the summer. Tianjin is, apparently, the sixth largest city on the planet! and I’m ashamed to say that until recently I’d not even heard of it. Things in the world are changing fast it seems.

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Tianjin Academy of Fine Art

Being a part of this tour that ends in January is only a small part of being in the Priseman-Seabrook collection as it features on the Art UK website and is an on-going venture that unites a great many of our best painters. It’s been good to meet and get to know artists such as Lucy Cox, Freya Purdue and several others…and hopefully more in the future.

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Someone looking at my painting! and also in the photo from left to right, works by Susan Gunn, Terry Greene, Julie Umerle,Mary Webb, mine, Freya Purdue, Julian Brown & Paul Newman

Its helped me over recent weeks as I’ve been feeling unwell and am still struggling with a (so far) mystery ailment that is severely restricting my productivity.  Not least in keeping up this blog as well as getting on with my painting. I had hoped to end the year with at least two current bodies of work pretty much rounded off, but sadly they both have a way to go yet. So it goes.

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detail from sketch for Honfleur panels, December, 2017

Nonetheless the New Year already promises fresh opportunities. Firstly my good friends Jackie Berridge invited me to be a part of an exchange with artists in the Honfleur area of Northern France in April.   As a long time fan of Boudin, a local boy made good, it was too good to miss. And another friend the excellent painter (and printmaker) Laine Tomkinson is putting on a show in Nottingham Make Colour Sing in May so much to look forward too.

The effects of travel…

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on one can be a wee bit disorientating.  One evening you may find yourself wandering along a track across a field in Northern France…less than a few hours since racing through the Alps (excepting the queue for the San Gotthard/Gottardo tunnel).

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In his Anatomy of Melancholy Robert Burton writes that travel is one cure of it “for peregrination charmes our senses with such unspeakable and sweet variety, that some count him unhappy that never traveled, a kinde of prisoner”.  Whether or not one subscribes to that rather extreme view it is undeniable that different perspectives emerge from moving about a bit.  For example setting off from a small village in Pas De Calais this morning (the first round of the French Presidential Election) I was struck by the relative calm of it all.  My straw poll of one elicited a response that it was “tres important” but it would have been easy to miss that fact of it at all.  There was a single billboard in the town centre with a single poster for each of the eleven candidates and only one location in town where someone had fly posted three posters for Francois Asselineau (a hard line Frexiteer).  Even those newspapers that I saw were treating the event with restraint, and though most TV channels at one point or another on Saturday night had coverage it certainly didn’t dominate the schedules as it does here. Indeed there isn’t a sense of hysteria but a sober responsible process at work.  For what its worth though my sense of it is that Le Pen may well do better than expected in Round One and might just do enough overall to cause an upset.

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She’ll certainly pick up Asselineau’s supporters with their very direct secondary slogan (above in yellow…’Frexit – Protection des Salaries’).  And I guess that may well be a significant part of the reason that the Tories will romp home here with a stonking majority.  I was going to follow up this observation with something incredibly rude and partisan about my fellow countrymen and women but I’ll let it be…I try not to do politics here! So instead some nice pictures of locations on our holidays instead!

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Avenue de Lacs, Ardres, France
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View towards Barisello, Lunigiana, Italy
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Vines above Verpiana, Lunigiana, Italy
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Champagne Country, France is a big open landscape!