The text ‘thing’

I can’t really explain why this seems important right now but it does.  So I’m reading a good deal, mainly poetry (of which I have a pretty decent, if rather ancient for the most part, collection).  When a fragment takes my fancy and fits with the emerging form of the painting I’m working on (as usual there are several on the go) then it is plucked from it’s context and put to work around the edges.

Slow Music
Slow Music, acrylic on canvas, 65.5 x 55 cms., September 2019

How the originator might feel I do not know, but for the most part, so far, those chosen have shuffled off this mortal coil.  In Tomas Tranströmer‘s case some four years back but I like to think he wouldn’t have minded too much…

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