img_0039between different projects is often difficult to divine. There are times when the focus is clearer and times when its not. Its one of those not times. There’s a suite of small wonky geometries on the go. They are still at the early stage of ‘roughing out’ – the broad structure is in place (further variations on the 5/6/7 sided figure interactions) but the colour combinations and variations are, as yet, very unclear. They are amongst a group of panels to be offered for selection for a show entitled Colour Bliss so there’s a challenge!

fullsizerenderAlongside these I’m playing with a collection of over 100 small paperworks – that are even more wacky variants of the same repertoire of basic regular sided shapes expanded to include 3/4 sided appearances and a host of other marks and forms. These are pretty much just for fun and to keep myself busy when the other project gets too tricky.

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to paraphrase a very ‘non-acceptable’ source nowadays these things are a variant on ‘can you see what it is yet’ as in ‘can you see where it is yet’…

There’s actually another even more mindless long term project that uses up quantities of mixed colour so as not to waste it. And when I say longterm I really mean it. I guess my casual interest in colouring in maps (!) started in my early teens. On one of my first trips abroad (a scout jamboree in the Netherlands) a pal asked me why I was clutching a sheaf of maps (picked up in various locations) on the return journey. I couldn’t answer him satisfactorily but it began a habit that has lived with me through over fifty years now. Some time later…exactly how long I’m not sure (though by the time I started my Foundation studies)…I began in idle moments (and to keep me engaged in some activity in the studio) to fill in these having glued them into sketchbooks. Goodness knows how many there are now but its a lot. Some time back I actually collated a few into a pamphlet that I called Rough Cartography. Here’s one that has been mushed up in the last couple days…it amuses me to think about why I do them and whether I’ll ever use them for any more elevated artistic purpose. I am also (obviously easily pleased) amused at the way the locations are obliterated by my actions…if they were shown would others be able to recognise them? What about the one here? First answer received gets a copy of Rough Cartography signed by the artist!  Well it’s Christmas innit!

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